We are waiting for your application until 27 October 2024.
2 residences in the fall of 2024:
14-20 October 2024 – 𝙈𝙤𝙧𝙩𝙚𝙯𝙖 𝙈𝙤𝙝𝙖𝙢𝙢𝙖𝙙𝙞 & 𝙎𝙝𝙖𝙝𝙧𝙯𝙖𝙙 𝙉𝙖𝙯𝙖𝙧𝙥𝙤𝙪𝙧.
11-17 November 2024 – 𝙀𝙡𝙞𝙯𝙖 𝙋𝙖𝙨́, 𝙎𝙚𝙧𝙜𝙞𝙤 𝙋𝙚𝙡𝙡𝙚𝙜𝙧𝙞𝙣𝙞, 𝙀𝙬𝙖 𝘿𝙖̨𝙗𝙧𝙤𝙬𝙨𝙠𝙖, 𝙍𝙚𝙣𝙖𝙣 𝙑𝙞𝙚𝙞𝙧𝙖
THE OPEN CALL WAS FINISHED. THE RESULTS WERE ANNOUNCED ON MONDAY, SEPTEMBER 23!
We invite you to apply for one-week art residencies 𝙴𝚡𝚙𝚎𝚛𝚒𝚖𝚎𝚗𝚝𝚊𝚕 𝚂𝚝𝚞𝚍𝚒𝚘 𝚘𝚏 𝙿𝚎𝚛𝚏𝚘𝚛𝚖𝚒𝚗𝚐 𝙰𝚛𝚝𝚜 as part of the Migrart.waw.pl project – the first Warsaw and nationwide database of migrant artists.
This season there will be 2 residencies, lasting 1 week each, to choose from according to the schedule:
On August 23 at 6:00 PM, an online Q&A session will be held for (potential) participants of the open call. Project coordinators Łukasz Wójcicki and Stanley Ndua will answer your questions about the residencies and open calls. The session will last 1 hour. Languages: English and Polish. If you’d like to participate in the session, please send an email to lukas@strefawolnoslowa.pl no later than one hour before the meeting. You will receive a link to the meeting in a reply email.
The residencies will take place at the Powszechny Theatre in the space “Scena 100” (former Club Mózg / InSzPer). The space, including lighting and sound system and facilities, will be at your disposal for the entire duration of the residencies according to the rules of cooperation set out in the contract with the Strefa WolnoSłowa Foundation.
𝐖𝐡𝐨 𝐚𝐫𝐞 𝐭𝐡𝐞 𝐫𝐞𝐬𝐢𝐝𝐞𝐧𝐜𝐢𝐞𝐬 𝐟𝐨𝐫?
Only groups/collectives consisting of at least two people, at least half of whom are people of migrant origin living permanently or temporarily in Warsaw, can apply. Anyone can apply, regardless of age and residence status in Poland.
𝐖𝐡𝐚𝐭 𝐝𝐨 𝐰𝐞 (𝐧𝐨𝐭) 𝐞𝐱𝐩𝐞𝐜𝐭?
The theme for all residencies is ‘temporary community’. The theme can be taken very literally as well as radically symbolic. We are keen to invite people who practice an experimental and multidisciplinary approach to the performing arts. Open to ignorance, uncertainty, non-obviousness and wandering. Those translating the creative process over the finished art product. At the end of the residency (on the 7th day of the residency at the latest), we expect a show of the work of the resident artists.The format of the show is up to you, it can be for example : a show of work in process (in any form), a performative installation, a workshop, a laboratory, a performative lecture, a performance, a presentation, a performative reading and whatever else you think fits the nature of your work.
We would like to see a reference to the theme of ‘temporary community’ in the description of your project/ idea.
Your projects can be either in the idea stage or already a finished activity that you want to develop in residency.
We are NOT looking for projects of a national, ethnographic, patriotic or religious nature.
Experimental Studio of Performing Arts is a space free of racism, chauvinism, nationalism, sexism, homo- and transphobia.We expect submitted projects to be in line with these guidelines.
𝐖𝐡𝐚𝐭 𝐝𝐨 𝐰𝐞 𝐨𝐟𝐟𝐞𝐫 / 𝐰𝐡𝐚𝐭 𝐝𝐨 𝐰𝐞 𝐧𝐨𝐭 𝐨𝐟𝐟𝐞𝐫?
✔️ PLN 5000 gross per group/collective, including production costs.
light/sound support for the show and dress rehearsal (if required);
✔️ organisational and content-related support of the residency curator (the scope of support to be discussed individually);
✔️ promotional support.
We do not provide accommodation or reimbursement of travel costs for people from outside Warsaw.
We especially encourage people from outside the European cultural circle and from the entire so-called Global North, with refugee experience, queer people and people with disabilities to apply.
Curator of the residency: Łukasz Wójcicki
Migrart.waw.pl project coordinator: Stanley Ndua
APRIL 2024
22-28.04
Show: 𝓟𝓵𝓪𝓷𝓮𝓽𝓪 𝓴𝓸𝓫𝓲𝓮𝓽 – the first artistic residency as part of the 𝕄𝕚𝕘𝕣𝕒𝕣𝕥.𝕨𝕒𝕨.𝕡𝕝 – Experimental Studio of Performing Arts
Do you know the Hollywood film “Planet of the Apes”? Now I have a movie “Planet of Women” in my life. Refugee… For me, it was a word from TV news or documentaries. Is it me now? I thought about it when I stood in line at the Ukrainian-Polish border. I looked around; my husband and all the other husbands were standing behind the fence. Because men cannot go further, men are not allowed to cross the border. Men brought their wives and children to the border to save them from the war. War is a men’s affair. And from that moment on, for me, the world of men was left behind. And I moved forward. I looked around and saw that there were only women around me. Women and children. I landed on the Planet of Women. I never had so many women around me. I was used to counting on my husband. I once relied on my husband, father, and friends. I didn’t know how I would manage myself and my children in a foreign country, in a foreign language. But in this critical moment, I felt the power of femininity. In Poland, I was surrounded by only women. And at some point, I realized that the Planet of Women, where I found myself, began to heal and cure me. We will talk about this female support in the performance 𝓟𝓵𝓪𝓷𝓮𝓽𝓪 𝓴𝓸𝓫𝓲𝓮𝓽.
CREATORS
Concept and performance: Rimma Tyshkevych and Anastasiia Ivasova
Choreography: Alicja Wójtowiec
The graphic uses an image by Margo Pugachenko.
Mountain of voices – the second artistic residency as part of the 𝕄𝕚𝕘𝕣𝕒𝕣𝕥.𝕨𝕒𝕨.𝕡𝕝 – Experimental Studio of Performing Arts
𝕋ℝÉ𝕄𝕌𝕃𝔸 is a project that explores various aspects of volcanoes, the first builders and destroyers of life on Earth. Through performances and installations, TRÉMULA attempts to interpret volcanic features using the body, video, and sound.
𝕋ℝÉ𝕄𝕌𝕃𝔸 – 𝙶ó𝚛𝚊 𝙶ł𝚘𝚜ó𝚠: sound community. We created several unique performance experiences with active audience participation, creating a temporary community of voices immersed in a volcanic atmosphere. Together, we will become 𝙶ó𝚛𝚊 𝙶ł𝚘𝚜ó𝚠, participating in an experimental ritual symbolizing the roar of nature’s forces and their transforming power.
SAMAMBAIA
Pavel Tavares – Website
Natalia Lis – Portfolio
Show schedule: May 11, 19:00 May 12, 18:00
JUNE 2024
10-16.06
Multimedia performance “na cztery ręce | у чотири руки” as part of the 3rd residency of the 𝕄𝕚𝕘𝕣𝕒𝕣𝕥.𝕨𝕒𝕨.𝕡𝕝 – Experimental Studio of Performing Arts.
Mariia Lozova – choreographer, performer, and dancer of Afghan-Ukrainian origin, and Joanna Żaboklicka – Polish visual artist, tell about the multi-level relationship in their two-person micro-society. Together, they ask: how are relationships formed between us, not only symbolically but also in everyday life? The performance is a trial, reflection, and feeling in which the artists let things happen. A sculpture that can be rotated becomes a dynamic tool for connecting, modifying, and exploring new relationships and the ephemeral concept of community. The artists invite everyone to an open creative dialogue in an atmosphere of openness to ignorance and uncertainty: together, we can reflect on closeness and community and explore how two unique identities can resonate together.
ADMISSION IS FREE
Show schedule:
SUNDAY, June 16, 19:00
We would like to invite you to the finale of the first autumn residency of MIGRART WAW PL – a work-in-progress performance by an Iranian-Afghan duo from Vienna. The performance is the culmination of a week-long residency in Warsaw.
In our performance 𝓞𝓷 𝓞𝓾𝓻 𝓚𝓷𝓮𝓮𝓼, we explore the knee as a symbol of both vulnerability and brutality, reflecting the physical and emotional weight it can bear. By using the body to express these ideas, we aim to investigate how acts of suppression and control are embodied. At the same time, we address the harsh realities of discrimination faced by Afghans in Iran, drawing a parallel between the personal and political, the individual body and societal oppression.
𝓢𝓱𝓪𝓱𝓻𝔃𝓪𝓭 𝓝𝓪𝔃𝓪𝓻𝓹𝓸𝓾𝓻 hails from Iran, having earned her Bachelor’s degree in Theater from Tehran University. Currently, she is immersed in the study of Transmedia Art at the University of Applied Arts in Vienna. During her residency at Brunnenpassage in 2020, she crafted the performance “Maßlos” (Boundless). Her collaboration with Brunnenpassage commenced in 2019, predating her move to Austria. During this period, she served as a director and performer in the international performative dance project “Desegregation,” presented in a hybrid format spanning online and various countries. In 2021, she was recognized as a fellow at “in the field” by Wiener Festwochen. Her victory in the 2021 “Try Out” competition afforded her the opportunity to showcase her solo performance “Hijab offline” in collaboration with Dschungel Theater. Further adding to her artistic journey, she participated as a performer in “Parasol” at TQW in 2022, collaborating with Ian Kaler and Alix Eynaudi. In her artistic practice, she endeavors to intertwine her fervor for feminism and inclusion with her expertise in the realm of performance.
𝓜𝓸𝓻𝓽𝓮𝔃𝓪 𝓜𝓸𝓱𝓪𝓶𝓶𝓪𝓭𝓲 is a dancer and performer hailing from Afghanistan. Since 2021, he has immersed himself in the study of time-based and interactive media art at the University of Arts in Linz. Fueled by his profound passion for dance and art, Morteza is dedicated to advancing his education in this field and honing his skills. His academic pursuits offer him a platform to bring his artistic visions to life and continuously refine his creations.
As an enthusiastic member of the Youth Dance Company, a collaborative effort between Tanz die Toleranz and Brotfabrik Wien, Morteza Mohammadi has not only elevated his dance technique but has also delved deeply into the exploration of movement and expression through his contributions to the company. Additionally, he is an integral part of the Physical Theater Company Side Effect, where his focus extends to themes of migration, political issues, and war. Through his dance and artistic endeavors, Morteza aims to shed light on societal issues and provide a voice to those frequently overlooked.
We still need it. Maybe even more than ever. In times when we sink into a sense of individualism, numb ourselves to too many stimuli, close ourselves off in apartments, suffer from loneliness, and are bombarded by artificial expectations from screens, which we struggle to meet… we need it so much.
What is community? Why do we want to be part of it? What stands in our way? What connects us as humans, and what separates us from nature? Is what defines humans really just human? Why and for what purpose do we unite? Communities form and disappear, they transform, taking on many faces. They want to say something, and then they give the floor. What do they say? What do they give?
We would like to invite you to a performance, the result of the second autumn residency by MIGRART WAW PL. We will present a work-in-progress performance prepared by a Polish-Brazilian collective, the result of one-week artistic process.
SPÓJNIA // COHESION PERFORMANCE
Sunday, November 17, 5pm
Space Scena 100 (d. InSzper, d. Mózg), Powszechny Theater in Warsaw, 20 Zamoyskiego St. (entrance on the right side from the Stół Powszechny cafe)
Languages used during the performance: English, Portuguese, Polish
Duration: about 45 minutes
Free entry, Sign up through the form: https://forms.gle/xGpYeMW56Z7Qnbps5
Performers:
Eliza Paś – Performer, actress, vocalist, instrumentalist and voice instructor, with a background in linguistics.
For over ten years, she has led voice workshops—focusing on traditional Ukrainian songs, voice opening through intensive physical practice, theater workshops, and individual voice training sessions. She has collaborated with cultural centers, festivals, and non-governmental organizations. She was a member of the Czech theater group “Ted’ nádech a let’,” and has performed as an actress and singer in numerous documentary theater productions. She collaborates with the Węgajty Theater and has participated in productions by the Jubilo Foundation and other projects promoting equality and diversity (e.g., Rozmowy na Skraju Lasu, dir. M. Laszecka; Body Transgressions, dir. Z. Bartoszewicz). Collaborated with Andrzej Rejman, creating original music (Muzyko Wynieś mnie z Pożaru, Beyond Identities Project), regularly performs in the sung poetry genre. A member of the Capoeira Angola Warsaw group and association, and she practices various dance and bodywork techniques daily. In her work, she seeks authentic forms of expression, an organic connection to emotions and the body, and the release of harmful patterns imposed by modern society.
Renan Vieira - a Brazilian creative director, photographer, and multidisciplinary artist based in Poland, known for his evocative visual storytelling and ability to capture authentic moments. With over 14 years in photography and video production, he specializes in documenting a diverse range of events, from cultural festivals and live performances to corporate projects and sports competitions. His distinct style and attention to detail cooperating with different artists across Brazil and Europe. Now living in Poland, Renan has embraced the country’s culture and climate, using new challenges to fuel his creativity and artistic growth. He frequently participates in exhibitions, sharing the rich visual narratives of Brazilian culture with Polish audiences. His work is marked by a seamless blend of Brazilian vibrancy and refined technical skill, connecting people across cultures through powerful imagery. Renan’s creative journey continues to evolve, with current projects that incorporate his skills in graphic design, music, and video. His adaptability and commitment to creative exploration make him a dynamic and innovative force in contemporary visual arts.
Ewa Dąbrowska – sculptor, performer, vocalist. In 2018, she graduated from the studio of Prof. A.J. Pastwa at the Faculty of Sculpture of the Academy of Fine Arts in Warsaw. A laureate of the ENTRY Initiative Award and the Friends of the Academy of Fine Arts Award. She has realized her projects in Poland, Hungary, Germany, Armenia, Ukraine, Italy, France, and Slovakia. She creates installations, happenings, traditional sculpture, drawings, and land art. She mainly works with lightweight materials such as paper, sponge, and sticks collected from the forest floor. An important area of her work is art that encourages reflection on the condition of the planet and human actions in relation to the environment in which we live and to other living beings. She seeks ways to combine the main areas of her activity—music and sculpture—into a single creative process. She has collaborated with the Węgajty Theatre and is active in the cultural activities of the Association for the Renewal of the Village of Odnowica. A vocalist in the band Sen Motyla. She co-creates the Warsaw independent scene of improvised music. In 2020, as part of the “Culture in the Network” scholarship, she created three musical compositions and video clips.
Sergio Pellegrini - born in São Paulo, comes from a diverse heritage: his paternal side is of Italian immigrants, while his maternal side includes Iberian and likely indigenous Brazilian roots. Growing up, his family frequently supported his father’s research in Brazilian Popular Culture, immersing him in stories, music, and traditions. This multicultural upbringing included stints in Portugal and France, where Sergio experienced different cultural perspectives and the impacts of migration. During his Master’s studies, he lived in the Netherlands and Germany, finding support within international communities. He now resides in Warsaw with his Polish partner and their son, navigating the blend of Brazilian and Polish heritage. They actively engage in local cultural organizations, fostering mutual understanding and connection. Professionally, Sergio holds a PhD in Mechanical Engineering, with academic contributions across institutions like the University of São Paulo, Delft University of Technology, Cambridge University, and Åbo Akademi University. His career in Research and Development is marked by significant publications in peer-reviewed journals and conferences.